Vol. 7 No. 4 (2025): Women's pottery in La Mancha

View Vol. 7 No. 4 (2025): Women's pottery in La Mancha

Coords:
Rafael Sumozas y Francisco Gil

uclm

Portada:
Fernando Poyatos. Teresa Rodríguez Cano “la hermana Ramoncilla”, abocando un cántaro, 1965. Archivo del artista. CEFINHGU (Centro de Fotografía y de la Imagen Histórica de Guadalajara. N.º catalogación: N018).

DOI: https://doi.org/10.23882/rmd.v7n4
Published: 2025-12-30

Full Issue

  • Women's pottery in La Mancha A summer course at the University of Castilla-La Mancha, Spain

    Rafael Sumozas
    3-8
    DOI: https://doi.org/10.23882/rmd.25320

Artigos

  • Intangible Cultural Heritage and Gender

    María Pía Timón Tiemblo
    9-23
    DOI: https://doi.org/10.23882/rmd.25313

  • In search of women's pottery Its history and its forms

    Ignacio Martín-Salas Valladares
    25-42
    DOI: https://doi.org/10.23882/rmd.25314

  • Women's pottery in La Solana (La Mancha) The last female pottery center included in the bibliography on Spanish pottery

    Jesús María Lizcano Tejado
    43-62
    DOI: https://doi.org/10.23882/rmd.25315

  • Benita Nava Martínez, a potter from Villarrobledo

    Pascual Clemente López
    63-82
    DOI: https://doi.org/10.23882/rmd.25321

  • Feminine potteries in La Mancha Cantareras from La Mota

    Leopoldo Casero Perona
    83-102
    DOI: https://doi.org/10.23882/rmd.25316

  • The woman in the tile factories of Villafranca de los Caballero

    Pilar Corrales Montealegre
    103-121
    DOI: https://doi.org/10.23882/rmd.25317

  • The voice is her, the last tinajera of Villarrobledo

    Ana Nance, Abraham Rubio Celada
    123-138
    DOI: https://doi.org/10.23882/rmd.25322

Interviews

  • Modernity and Manchegan tradition at Alfar Arias Interview with Graci Arias and Graci Leal

    Rafael Sumozas
    139-154
    DOI: https://doi.org/10.23882/rmd.25318