Iron Man CGI

Analysis of the 3D animations used in the Mark armors in the UCM

Authors

DOI:

https://doi.org/10.23882/cdig.24267

Keywords:

Iron Man, Special Effects, Cinema, Marvel, UCM, Armadura, Tony Stark

Abstract

This study identifies 16 Iron Man armors in the Marvel Cinematic Universe. 24 scenes are analyzed in which Tony Stark puts on different Mark suits to become Iron Man. In total, 91 shots shot in various cinematographic frames are examined. The findings reveal a constant progression in the versatility, functionality, quality, technology and complexity of the armor and its transformations, reflecting the increase in artistic and technical capabilities in the animation industry. Both the character of Tony Stark and his alter ego, Iron Man, present complex personalities in constant transformation, evident throughout the film saga. Paradigm of resilience and improvement of the animated industry in the seventh art.

Author Biographies

Matias López-Iglesias, Universidad Europea Miguel de Cervantes

PhD. Matías López Iglesias is a professor at the Miguel de Cervantes European University, where he imparts classes on several subjects such as Image Theory, Digital Aesthetics, Graphic Design, Computer Graphics techniques and animation. He holds a degree in Advertising and PR from the U. Complutense, European Animation Master at Fernseh Akademie Mitteldeutschland e.V. and a doctorate in Communication from the University of Valladolid.

Silvia de Frutos Velasco, Universidad Europea Miguel de Cervantes

Silvia De Frutos Velasco earned her degree in Audiovisual Communication from the Miguel de Cervantes European University. She currently works as a Videographer and Photographer in Editing and Creation of Audiovisual Content. She is very passionate about the world of animation, special effects and cinema in general.

José Luis Carreño Villada, Universidad Europea Miguel de Cervantes

PhD. José L. Carreño Villada is a professor at the Miguel de Cervantes European University. He is a Senior Technician in radio, television and entertainment production; holds a diploma in Teaching in the branch of Primary Education, a degree in Audiovisual Communication, with a Master in media research as a social and historical agent. He earned a doctorate "Cum Laude" in Language, Literature and Communication from the University of Valladolid

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Published

2024-12-13

How to Cite

López-Iglesias, M., Frutos Velasco, S. de, & Carreño Villada, J. L. (2024). Iron Man CGI: Analysis of the 3D animations used in the Mark armors in the UCM. [RMd] RevistaMultidisciplinar, 6(4), 5–22. https://doi.org/10.23882/cdig.24267

Issue

Vol. 6 No. 4 (2024): Digital transformation and entertainment. Brands, users and content in the cross-border space.

Section

Artigos

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Copyright (c) 2024 Matias López Iglesias, Silvia de Frutos Velasco, José Luis Carreño Villada

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.