Between still and moving image
Mirrored images in Miguel Soares
DOI:
https://doi.org/10.23882/MJ1907Keywords:
image, spectator, immersion, moving image, photographic 3D modellingAbstract
The diversity of the artistic production present in the exhibition LUZAZUL, by Miguel Soares, constitutes a rare opportunity to approach/clarify character issues, especially operational ones. Here, we speak of artistic categories and various techniques that mirror themselves between the photographic image and the moving image as well as what is visible in the use of computer software to manipulate 3D images. The figure of the spectator, another important moment in the work of the artist, is also emphasized since it is an “itinerant” part of his purposes.
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